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Hoke-Brady Designs

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  • Contact

Abigail Hoke-Brady is a New York based lighting designer whose work centers primarily in opera and classical music. As a designer she is interested in the ways light functions as a visual score to the work onstage.

Some of her most valued design projects include ‘Pagliacci’ (Seattle Opera); ‘Roméo et Juliette’ (Central City Opera);  ‘The Night Falls’ (Peak Performances/BalletCollective); ‘A Guide for the Homesick’ (LDK Productions); ‘How I Learned What I Learned’ (Playmakers Repertory Company); and ‘Time:Spans Festival’ (Dimenna Center/Earle Brown Music Foundation - co-designer alongside Burke Brown).

Exciting upcoming projects include ‘Nothing Follows’ with Catapult Opera, ‘King David’ with NY Choral Society, ‘Intelligence’ with Virginia Opera, and the world premiere of ‘Little Miss Perfect’ with The Olney.

Resident Lighting Designer : DiMenna Center for Classical Music

Lighting Design Mentor :  Williams College’s Senior Honors Projects (spring 2020)

Guest Lecturer/Artist : NYU’s Playwright’s Horizons Theater School (spring 2021)

BA : Drew University 2011

MFA : NYU 2016

Member : USA 829.

Contact : Russ Rosensweig, Agent | Summit Entertainment Group | 10 Potter Hill Drive, Guilford CT 06437 | 203.453.0188 | russ@summitentertainmentgroup.com

Email : sahokebrady@gmail.com | Instagram : @hokebradydesigns

Follow link for PDF of resume.

Happy Opening to ‘The Wolves’ @playmakersrep 

It’s my second time around with this play and I love it more than ever. 🐺

Dir: Aubrey Lynn Snowden
Set Design: @ant_horsema 
Costume Design: Pam Bond
Sound Design: Daniel Baker
PSM: @
Toi toi toi to the cast, creative team, and crew of “The Knock” @ccityopera !

Jo : Mary-Hollis Hundley
Aisha : Cierra Byrd
Gonzales : Armando Contreras 
C.O.W.’s Wife : Katherine Pracht

Maestro : @davidmartinbloom 
Director : @ali
Toi toi toi to the extraordinary cast, creative team & crew of “The Barber of Seville” @ccityopera 

What a joy to join this raucous production on its second outing after such a successful run at Opera Theatre of St. Louis. More photo
After a few years I’m trying my hand at drawing again and for the first time I’m finding it soothing instead of scary.
So here’s a new drawing, an old poem, & a small dose of Dixon Brady style humor. 
Not displeased with the exp